01
Everything, in one place.
Not a screenshots folder, a likes tab, a saved-posts list and a board you never opened again. One catalog, numbered, on shelves you name — and everything in it stays yours.
DESIGN12THUMBNAILS4
All your design
inspiration, ready
for you and
Paste a screenshot of anything you react to. It reads the palette, the type and the structure, files it as a numbered record, and turns your catalog into a brief a model can follow.
Inside the app
Sixteen of the owner’s real captures, in the thing itself. Switch shelves, filter by colour or tag, pick one to open.
Color
Tag
Divine Consent Hero
Reverence as product theatre — a marble god granting cookie consent turns compliance into myth
Palette
Tags
- layout grid
- asymmetric split — headline stack occupies left ~45%, statue bleeds center-to-right, mockup floats upper-right
- type
- geometric grotesque, tight tracking; hero headline ~64px semibold, subhead ~22px regular light-grey
- figure-ground
- statue emerges from pure black with no visible edge — lit only by a hard rim light so shadows dissolve into the canvas
- cta treatment
- solid coral rounded-corner (~6px radius) button, generous horizontal padding, only saturated element on screen
This is a landing-page hero that understands restraint as a power move. The frame is almost entirely black, and everything that matters — a headline, one subhead line, one button, and a wry visual gag — is placed with confidence into that void. The German pun ('Datenschutz, dem Götter zustimmen' — privacy the gods consent to) is the whole concept, and the art direction earns it: a rear-view classical marble statue, cloaked and curled like a Roman emperor, literally reaches out to tap a floating cookie-consent banner. Compliance software is dry; wrapping it in myth is a genuinely smart brand decision.
Design direction
Build a landing-page hero of the same kind. RULES: full-bleed near-black canvas (#050505); asymmetric split — text stack on the left ~45%, a dramatic hero image bleeding center-to-right. Headline in a geometric grotesque (Inter/Söhne/Neue Montreal), semibold, tight tracking, off-white (#f2f2f0), ~56-64px; one muted grey (#8f9296) subhead line beneath. Exactly ONE saturated element on screen: a solid coral-red (#e8503a) CTA button, ~6px radius, generous padding. Optional product mockup rendered as a thin luminous neon outline rather than a flat screenshot, so it reads as a hologram the hero subject touches. Hero subject should be dramatically single-source lit and desaturated so it fuses into the black background. DO: use one accent hue, extreme contrast, lots of negative space, wit in the copy. DON'T: add gradients or vignettes, use more than one saturated color, fill the void with secondary UI, or let body copy compete with the headline. Palette: bg #050505, headline #f2f2f0, accent #e8503a, muted #8f9296, neon stroke #c9c9c9.
Real entries from the owner’s catalog — captures, palettes, analyses and design directions exactly as they were filed.
02
It reads what you save.
Every capture comes back with a token sheet named for the kind of thing it is — a website is read in type, spacing and depth; a thumbnail in focal hierarchy and legibility at 200px. Not tags you typed. Values you can build against.
- headline
- ~90px extra-bold geometric grotesk, tight leading, two-tone (white + green word)
- radius
- large — hero panel ~28px, cards ~20px, CTAs fully pill-rounded
03
It hands the shelf over.
Filter the catalog down to the taste this project needs and export it. You get one link — and a model that opens it comes back knowing the palette, the type and the structure you like.
Claude
take reference from designmind.studioerlach.com/ref/3f9c…
Read 5 filed captures from “Dark editorial”. Building in this taste.
- Palette
- Type
- geometric grotesque, tight tracking…
- Layout
- asymmetric split — headline stack occupies left ~45%…
- Radius
- large — hero panel ~28px, cards ~20px…
Applications
Ask for a place.
Design Mind is not public yet. Places open in small batches so the analysis stays fast and the corpus stays worth reading, and every application is read by hand.